Over the last few years, Jean-Michel Sanejouand has developed a series of pseudo-landscapes which draw their inspiration from his earlier sculptural work. In addition to the sculptures themselves, these Espaces-Critiques (a group title that could be translated as "Space-Critiques" or equally "Critical Spaces") are filled with references to other earlier works: Charges-Objets, Calligraphies d'humeur, Peintures, and so forth. Are these summaries of earlier phases of the artist’s career, or a new manner of structuring space? This remains to be seen...
"28.04.2002"
"07.07.2002"
"03.08.2002"
"26.08.2002"
"17.12.2002" (triptych)
"Le Corbeau"
"La Vague"
"L'Intrus"
"Pousse-Caillou"
"Le Baiser"
"Le Mentor"
"Les Humanistes"
"La Cale"
"Diablerie"
"Rêve-canard"
"Réception"
Some paintings on paper:
"04.2002"
"05.2002"
"09.2002"
"10.2002"
"24.12.2002"
"24.12.2002"